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	<title>aliceday</title>
	<link>http://www.aliceday.be/</link>
	<description>Brussels based international contemporary art gallery.
&lt;br /&gt;Representing: Charlotte Beaudry, Aline Bouvy / John Gillis, St&#233;phane Calais, Jos De Gruyter &amp; Harald Thys, Blaise Drummond, Daniel Johnston, Didier Marcel, Eddie Martinez, The Royal Art Lodge, Walter Swennen, Djamel Tatah.
&lt;br /&gt;Collaborating with: Heidi Anderson, Nina Bovasso, Gerard Byrne,V&#233;ronique Decoster, Philippe Durand, Manfred Jade, Val&#233;rie Jouve, Jacques Liz&#232;ne, Rachel Lowther, Dolor&#232;s Marat, Marcel Miracle, Charlemagne Palestine, Pascale Marthine Tayou, Barth&#233;l&#233;my Toguo, Jens Wolf.</description>
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	<item>
		<title>Christophe Terlinden</title>
		<link>http://www.aliceday.be/Christophe-Terlinden.html</link>
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		<dc:date>2010-04-16T13:27:14Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>Estelle</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>1969 lives and works in Brussels &lt;br /&gt;EXHIBITIONS &lt;br /&gt;2009 Transvisions, Stadsvisioenen Mechelen, off project, with b.o. Mario Airo, Sabine Moritz Chinoiseries, Mus&#233;e communal de Woluw&#233; St Lambert Proposal for a New European Flag, De Singel, Anvers aliceday, Bruxelles Jeugdzonde. Over opus &#233;&#233;n en opus min &#233;&#233;n, LLS 387, Anvers Pittoresque, chez Anne Pollet, Bruxelles &lt;br /&gt;2008 Soot from the funnel, Fieldgate gallery, London &amp; Lokaal 01 Breda Orgasme N&#176;6, Maison Gr&#233;goire, Bruxel Quand passent les po&#232;tes (La (...)


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;1969
&lt;br /&gt;lives and works in Brussels&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;EXHIBITIONS&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2009 &lt;br /&gt;Transvisions, Stadsvisioenen Mechelen, off project, with b.o. Mario Airo, Sabine Moritz
&lt;br /&gt;Chinoiseries, Mus&#233;e communal de Woluw&#233; St Lambert
&lt;br /&gt;Proposal for a New European Flag, De Singel, Anvers
&lt;br /&gt;aliceday, Bruxelles
&lt;br /&gt;Jeugdzonde. Over opus &#233;&#233;n en opus min &#233;&#233;n, LLS 387, Anvers
&lt;br /&gt;Pittoresque, chez Anne Pollet, Bruxelles&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;Soot from the funnel, Fieldgate gallery, London &amp; Lokaal 01 Breda &lt;br /&gt;Orgasme N&#176;6, Maison Gr&#233;goire, Bruxel
&lt;br /&gt;Quand passent les po&#232;tes (La Pomme) po&#232;me de Abdellatif La&#226;bi, Bruxel
&lt;br /&gt;Todayeveryday by Nico Dockx, site internet, VTM, Bruxel
&lt;br /&gt;THE MOSS GATHERING TUMBLEWEED EXPERIENCE, NICC Antwerp
&lt;br /&gt;It's not fair &#8211; Le monde est arbitraire, Dendermonde
&lt;br /&gt;Universum, Sportcentrum, Dendermonde
&lt;br /&gt;Curiosit&#228;t, curated. By F.Curlet, Galerie M. Szwajcer, Antwerp
&lt;br /&gt;Honorons Honor&#233;, De Garage, Mechelen&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Panneaux solaires, IAC, Villeurbanne
&lt;br /&gt;Saucisson Fran&#231;aise, Sainte-Croix-vall&#233;e-Fran&#231;aise, F
&lt;br /&gt;Le Temps, Fondation Albert Marinus, Bruxel
&lt;br /&gt;Pietro, Beaumont, F&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006 &lt;br /&gt;Po&#233;sie en ville avec Abdellatif La&#226;bi	, VERS BRUXELLES, Schaerbeek
&lt;br /&gt;Thinking About Animals, La maison de Marijke Schreurs, Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005 &lt;br /&gt;Editions, Vandaele editie, Antwerpen
&lt;br /&gt;K Market, curated by Komplot, galeries Ravenstein, Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Le Mus&#233;e du R&#233;verb&#232;re, Laeken, Bruxel
&lt;br /&gt;A quatre heure sous le panneau de basket, Mus&#233;e d'art contemporain, Lyon
&lt;br /&gt;No friture, LU &#8211; MA (G)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Piece for peace, web site, Bozar, Bruxel
&lt;br /&gt;3 allers &#8211; retours, Wiel's , Bruxel
&lt;br /&gt;Satelliet 03, Lokaal 01, Antwerpen &#8211; Breda&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Treize danses pour carillon, Grimbergen 02 &lt;br /&gt;Le d&#233;tournement du Rh&#244;ne, Art 3, Valence, F
&lt;br /&gt;M HKA, MuHKA, Antwerpen
&lt;br /&gt;5 to 18, Muka	, New Zeeland&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Import-Export, carte blanche peopleday&#174; , Caisse des d&#233;p&#244;ts et consignations,	Paris
&lt;br /&gt;Une horloge pour Tour et Taxis, Ici et maintenant (Tour et Taxis), Bruxel
&lt;br /&gt;Marijkeshuisje, La maison de Marijke Schreurs, Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;LUM, Bruxel 2000&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Call gallery for gratis information, Roger Vandaele gallery, Antwerpen&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;2&#176;, Nantes, France
&lt;br /&gt;Ik was 4 in 75, NICC Antwerpen&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Projet Fiat, Leuven&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Broken line, Southampton, England
&lt;br /&gt;Techtur &#8220;&#177; 103 jours , ETABLISSEMENT D'EN FACE &lt;br /&gt;Naissance de Techtur (entreprise &#224; caract&#232;re constructif ) Berlin-Dallas-Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995
&lt;br /&gt;Jaune minimum, Gare du quartier L&#233;opold,	Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1994
&lt;br /&gt;Rampe, la Cambre (jardins), Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1993
&lt;br /&gt;Plan cube, Quartier Nord, Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;EDITIONS&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Cube volume&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Small noise n&#176;6&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;En connaissance de cause, curated by Komplot, Le Bonheur, Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;Canne, 8 ex
&lt;br /&gt;Saucisson Fran&#231;aise, &#233;ditions &lt;br /&gt;L'&#233;quilibre dans le mensonge, Bronze Ed.illimit
&lt;br /&gt;Pok&#233;mon, s&#233;rigraphie V-Editie Antwerp&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;PERFORMANCES&lt;/strong&gt; &lt;br /&gt;1992
&lt;br /&gt;Ligne jaune, la Spezia - Massa Di Mare, It&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995
&lt;br /&gt;Bateaux, Parc Royal, Bruxel
&lt;br /&gt;Black hair, 15 jours d'approche de la couleur, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Air plane, SanFrancisco&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Mobiles, Place de Bethl&#233;em, Bruxel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Revolutiorestoration, Bozar, Bruxel&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Charles Karubian</title>
		<link>http://www.aliceday.be/Charles-Karubian,122.html</link>
		<guid isPermaLink="true">http://www.aliceday.be/Charles-Karubian,122.html</guid>
		<dc:date>2007-07-26T14:06:59Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>EDUCATION &lt;br /&gt;1997 MFA, University of California, Los Angeles 1993 BFA, San Francisco Art Institute, Visual Arts &lt;br /&gt;SOLO SHOWS &lt;br /&gt;2010 Parker Jones Gallery, Los Angeles, CA &lt;br /&gt;2009 ARCO Madrid, Suzie Q Projects/Galerie Bob van Orsouw, Zurich &lt;br /&gt;2008 Suzie Q Projects/Galerie Bob van Orsouw, Zurich Galerie Patrick Ebensperger, Graz &lt;br /&gt;2007 Rental Gallery, New York aliceday, Brussels Black Dragon Society, Los Angeles, CA &lt;br /&gt;2004 Paintings, Hayworth Gallery, Los Angeles, CA &lt;br /&gt;2003 The Place Where A Person Lives, (...)


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;EDUCATION&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997 MFA, University of California, Los Angeles
&lt;br /&gt;1993 BFA, San Francisco Art Institute, Visual Arts&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;SOLO SHOWS&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2010
&lt;br /&gt;Parker Jones Gallery, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2009
&lt;br /&gt;ARCO Madrid, Suzie Q Projects/Galerie Bob van Orsouw, Zurich&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;Suzie Q Projects/Galerie Bob van Orsouw, Zurich
&lt;br /&gt;Galerie Patrick Ebensperger, Graz&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Rental Gallery, New York
&lt;br /&gt;aliceday, Brussels
&lt;br /&gt;Black Dragon Society, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Paintings, Hayworth Gallery, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;The Place Where A Person Lives, Hayworth Gallery, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Creative Artists Agency, Los Angeles, CA
&lt;br /&gt;Portraits and Landscapes, Newspace, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&#8220; Are We Alone? (I Need to Tell You Something&#8230;),&#8221; curated by Mary Leigh Cherry, The 18th Street Arts Complex, Santa
&lt;br /&gt;Monica, CA
&lt;br /&gt;The House, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Michael's Gallery, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Black Dragon Society, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;GROUP SHOWS&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2010 &lt;br /&gt;Strangeland, MBFA Yellow House, Potts Point, Australia&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2009 &lt;br /&gt;A Fragile State, MBFA Yellow House, Potts Point, Australia&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;Size Matters ; XS recent small scale paintings, Hudson Valley Center for Contemporary Arts, travelling exhibition to The Knoxville Museum of Art, Knoxville, TN.
&lt;br /&gt;Some Paintings : The Third (2007) LA Weekly Annual Biennial, curated by Doug Harvey, Track 16 Gallery, Santa Monica, CA.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Size Matters, Hudson Valley Center for Contemporary Art, Peekskill
&lt;br /&gt;Olivier Twist, Rental Gallery, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Then &amp; Now &amp; Again, Black Dragon Society, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Miami University National Young Painters Competition for the William and Dorothy Yeck Award, curated by Buzz
&lt;br /&gt;Spector, Oxford, OH&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Hayworth Gallery, Los Angeles, CA
&lt;br /&gt;Wet Paint, City of Brea Gallery, Brea, CA
&lt;br /&gt;Who do you think you are?, The Loft, San Pedro, CA
&lt;br /&gt;Black Dragon Society, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Are You Interested? Mother's Day, curated by Holly Myers, Women's Club of Hollywood, Los Angeles, CA
&lt;br /&gt;LAND, Zero-One Gallery, Los Angeles, CA
&lt;br /&gt;What A Painting Can Do, Hayworth Gallery, Los Angeles, CA
&lt;br /&gt;Hubert Schmalix, Black Dragon Society, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;White Snake, Black Dragon Society, Los Angeles, CA
&lt;br /&gt;Mac Gyver, Crazy Space, Santa Monica, CA
&lt;br /&gt;Inaugural Show, Black Dragon Society, Vienna, Austria&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Inaugural Show, Black Dragon Society, Los Angeles, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Malibu Sex Party, Purple Gallery, Venice Beach, CA&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;
&lt;br /&gt;BIBLIOGRAPHY&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;Harvey, Doug. &#8220;Some Paintings : The artists in the third L.A. Weekly Annual Biennial&#8220;, The LA Weekly, Jan. 11-17.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Douglas Sarah. &#8220;Rent to sell&#8220;, InBrief section, Art+Auction, November.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&#8220;New American Paintings,&#8221; Open Studios Press, Vol. 43.
&lt;br /&gt;Angeleno Magazine, reproduction with listing.
&lt;br /&gt;Deffner, Elisabeth. &#8220;Wet Paint&#8230;.,&#8221; Orange County Register, May 22nd.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Pagel, David. &#8220;Charles Karubian, Portraits &amp; Landscapes,&#8221; Los Angeles Times, Jan. 4th.
&lt;br /&gt;Discover Hollywood Magazine, reproduction with listing, Winter 2001/2002
&lt;br /&gt;Mastbaum, Blair. &#8220;Pick of The Week,&#8221; Digital City, Dec. 29th.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Bates, Caroline. Restaurant Review: California, Gourmet Magazine, reproduction
&lt;br /&gt;Pagel, David, &#8220; Tell' Talks in It's Own Quirky Way,&#8221; Los Angeles Times, May 10th.
&lt;br /&gt;Verbila, Irene. &#8220;A Dream House,&#8221; Los Angeles Times, April 8th.&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Marc Bijl</title>
		<link>http://www.aliceday.be/Marc-Bijl.html</link>
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		<dc:date>2007-03-16T16:03:22Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>Born 1970 in Leerdam Lives and works in Berlin &lt;br /&gt;Education &lt;br /&gt;1992-1997 Royal Academy of Art &amp; Design, 's-Hertogenbosch 1996 Rennie Macintosh School of Art, Glasgow Grants 2004 Charlotte Koehler Prize For Young Art 2004 Residency at ISCP, New York 2001 Residency at Kunstlerhaus Bethanien, Berlin &lt;br /&gt;Selected Solo Exhibitions &lt;br /&gt;2006 Indy Structures, The Breeder, Athens Afterhours, Cosmic Galerie, Paris &lt;br /&gt;2005 Afterhours, Gem Museum, The Hague Get The Balance Right, Upstream Gallery, Amsterdam &lt;br /&gt;2004 In (...)


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;Born 1970 in Leerdam
&lt;br /&gt;Lives and works in Berlin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Education&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992-1997 Royal Academy of Art &amp; Design, 's-Hertogenbosch
&lt;br /&gt;1996 Rennie Macintosh School of Art, Glasgow Grants
&lt;br /&gt;2004 Charlotte Koehler Prize For Young Art
&lt;br /&gt;2004 Residency at ISCP, New York
&lt;br /&gt;2001 Residency at Kunstlerhaus Bethanien, Berlin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Selected Solo Exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Indy Structures, The Breeder, Athens
&lt;br /&gt;Afterhours, Cosmic Galerie, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Afterhours, Gem Museum, The Hague
&lt;br /&gt;Get The Balance Right, Upstream Gallery, Amsterdam&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;In Times Like These, Grafisch Atelier Utrecht, Utrecht
&lt;br /&gt;A Passion Play, Museum Valkhof, Nijmegen
&lt;br /&gt;Chesed / Dien, The Breeder, Athens
&lt;br /&gt;Marc Bijl, Giorgio De Chirico Art Center, Volos&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;The Nation Had Been Flirting With Forms of G&#246;tterd&#228;mmerung, With Extremes of Vocabulary And Behavior And an Appetite For Violent Resolutions, Casco, Utrecht
&lt;br /&gt;Black Planet, Magazin 4, Bregenz
&lt;br /&gt;The World Won't listen, Bergman, Frankfurt
&lt;br /&gt;Defender, Artra Galleria, Milan&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;PORN, K&#252;nstlerhaus Bethanien, Berlin
&lt;br /&gt;Make Them Doubt, Projektraum K&amp;S, Berlin
...In The Hour Of Your Death, KAPINOS Galerie, Berlin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Dutchbed, CBK Nijmegen
&lt;br /&gt;L'artiste pour l'artiste, Filmstad, The Hague&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Keep On Shooting In The Artworld, Overslag, Eindhoven&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Selected Group Exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Left Pop (bringing it back home) - Moscow Biennale - curated by Diana Baldon, Nicola Lees, Georgina Jackson&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;I Love My Scene: Scene 2, Curated by Jose Freire, Mary Boone Gallery, NY
&lt;br /&gt;Black &amp; White, Hellenic American Union, Curated by Artemis Potamianou, Athens
&lt;br /&gt;Dark, Museum Boijmans Van Beuningen, Curated by Jan Grosfeld and Rein Wolfs, Rotterdam
&lt;br /&gt;Youth of Today, Curated by Matthias Ulrich, The Schirn Kunsthalle, Frankfurt
&lt;br /&gt;The Image is Gone, Galerie Lisa Ruyter, Vienna&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Superstars, The Celebrity Factor: From Warhol to Madonna, Kunsthalle Wien, Wien; BA &#8211; CA Kunstforum, Wien, curated by Ingried Brugger, Gerald Matt, Thomas Miessgang, Heike Eipeldauer and Florian Steininger
&lt;br /&gt;Leaps of Faith, the UN controlled Green Line (buffer zone), Nicosia, curated by Katerina Gregos and Erden Kosova
&lt;br /&gt;Emergencies, MUSAC - Museo de Arte Contempor&#225;neo de Castilla y Le&#243;n, L&#233;on
&lt;br /&gt;Populism, Stedelijk Museum, Amsterdam; National Museum of Art, Oslo, Frankfurter Kunstverein, Contemporary Art Centre, Vilnius, curated by Lars Bang Larsen, Cristina Ricupero, Nicolaus Schafhausen
&lt;br /&gt;On Patrol, De Appel, Amsterdam
&lt;br /&gt;Festival of Dreams (part 2), Lombard Freid Fine Arts, New York, curated by James Fuentes&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Premieres, MoMA, Museum of Modern Art, Oranized by the Department of Films and Media, NY
&lt;br /&gt;The Dutch Show: Contemporary Dutch Artists in Greek Collections, The Netherlands Institute of Athens, curated by Denys Zacharopoulos, Athens
&lt;br /&gt;Morgen hier, Heute dort, Kunsthalle M&#252;nster, M&#252;nster, curated by Marcus L&#252;tkemeyer
&lt;br /&gt;DETOX Aftershock, Kunsthall, Bergen; traveling exhibition through Scandinavia
&lt;br /&gt;Zehn Gebote, Deutsches Hygiene-Museum, Dresden, curated by Klaus Biesenbach
&lt;br /&gt;Channel 0, Nederlands Instituut voor Mediakunst Montevideo, Amsterdam, curated by Katerina Gregos
&lt;br /&gt;Upstream Gallery, Amsterdam, two persons show together with Daniela Wolfe
&lt;br /&gt;Hit &amp; Run, curated by Una Henry and Thomas Peutz, Platform Garanti, Istanbul (TR)
&lt;br /&gt;20/20 Vision, Stedelijk Museum, Amsterdam
&lt;br /&gt;Laocoon Devoured, Art and Political Violence, Centro Jos&#233; Guerrero, Granada; ARTIUM, Centro-Museo Vasco de Arte Contempor&#225;neo, Vitoria-Gasteiz
&lt;br /&gt;PanicRoom, Schlo&#223; Ringenberg, Hamminkeln, curated by Marcus L&#252;tkemeyer
&lt;br /&gt;Better Bet on That ..., Tranzit, Bratislava, curated by Boris Ondreicka
&lt;br /&gt;Der Funfte Gewalt, Forum Stadtpark, Graz, curated by Anton Lederer&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;The Space Between Us, Vane, Newcastle, curated by Una Henry and Thomas Peutz,
&lt;br /&gt;Beautiful Banners, Prague Biennale, Prague, curated by Marco Scotini
&lt;br /&gt;Into the Breach, SMART Project Space, Amsterdam
&lt;br /&gt;Nation, Frankfurter Kunstverein, Frankfurt, curated by Nicolaus Schafhausen
&lt;br /&gt;M_ARS - Kunst und Krieg, Neue Galerie am Landesmuseum Joanneum, Graz, curated by Peter Weibel and G&#252;nther Holler-Schuster
&lt;br /&gt;Inaugurational exhibition Upstream Gallery Amsterdam
&lt;br /&gt;Rendez-vous, Lyon
&lt;br /&gt;Prague Biennale, Prague&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Manifesta 4, Frankfurt am Main, curated by Iara Boubnova, Nuria Enguita Mayo, St&#233;phanie Moisdon Trembley
&lt;br /&gt;Commitment, Las Palmas, Rotterdam, organised by Fonds voor beeldende kunsten, vormgeving en bouwkunst, curated by Edwin Janssen
&lt;br /&gt;Future/Present ,Artissima, Turin
&lt;br /&gt;Jahresgaben, Kunstverein Arnsberg
&lt;br /&gt;Married by Powers, TENT, Rotterdam, curated by Bik &amp; van de Pol
&lt;br /&gt;Microjam influenz Unicura 1 &amp; 2, De Appel, Amsterdam, curated by Jeroen Jongeleen
&lt;br /&gt;Jeune Creation, Grande-Halle de la Villette, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Neighbours/Buren, Stedelijk Van Abbemuseum, Eindhoven
&lt;br /&gt;Square 1 - a very fancy fair, Leidsche Rijn, Utrecht
&lt;br /&gt;Intercom, Paraplufabriek Nijmegen&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Selected Bibliography&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&quot;Superstars&quot;, Kunsthalle Wien, Wien; BA &#8211; CA Kunstorum, Wien, cat.
&quot;Emergencies&quot;, MUSAC - Museo de Arte Contempor&#225;neo de Castilla y Le&#243;n, L&#233;on, cat.
&lt;br /&gt;GREGOS Katerina , &quot;United Statements&quot;, in Flash Art 38, January -February 2005&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&quot;The Dutch Show&quot;, The Netherlands Institute of Athens, Athens, cat.
&quot;Hit &amp; Run&quot;, SMART Project Space, Amsterdam, text by Thomas Peutz
&quot;Laocoon Devoured - Art and Political Violence&quot;, Vitoria-Gasteiz, ARTIUM, Centro-Museo Vasco de Arte Contempor&#225;neo, Vitoria-Gasteiz
&lt;br /&gt;BIESENBACH Klaus (ed.), &quot;Die Zehn Gebote&quot;, Deutsche Hygiene- Museum, Dresden / Ostfildern (Cantz Verlag)
&lt;br /&gt;Van DRIEL Anne, &quot;Gothic, getrouwd, gemusealiseerd&quot;, de Volkskrant, 10 June, 2004
&lt;br /&gt;BIJL Marc, contribution Art-ist 1, June 2004
&lt;br /&gt;Van ERP Barbara, &quot;Kunst was mijn laatste strohalm&quot;, Vrij Nederland
&lt;br /&gt;SPONSELEE Marjolein, &quot;20/20 Vision&quot;, Stedelijk Museum Bulletin
&lt;br /&gt;REINDERS Arjan, &quot;Artistieke Hooligan&quot;, HP/De Tijd 20
&lt;br /&gt;BIJL Marc, &quot;Multiplicity&quot;, Casco Issues 8
&lt;br /&gt;BIRBILIS Petros, &quot;Guns and Roses&quot;, The -S- Magazine2
&lt;br /&gt;L&#220;TTICKEN Sven, &#8220;Marc Bijl&#8221;, De Witte Raaf, No. 107, pp.33, 35.
&quot;Marc Bijl&quot;, Giorgio De Chirico Art Center, Volos, text by Faye Tzanetoulakou
&lt;br /&gt;SMALLENBURG Sandra, &quot;Ik maak dingen om het leven te vatten&quot;, NRC Handelsblad, January 24, 04&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;RUTTEN Bart, &quot;De wereld wil niet luisteren. Interview met Marc Bijl&quot;, Metropolis M 24, 6
&lt;br /&gt;BIJL Marc, &quot;Cr&#233;atif autonome&quot;, Worldsigns 2, pp.42-43, Winter 2003
&lt;br /&gt;Power Ekroth, &quot;Marc Bijl&quot;, Site Magazine 5
&lt;br /&gt;BIJL Marc, &quot;docufesta&quot;, Art-ist 6, pp.94-99
&lt;br /&gt;GARULLI Lavinia, &quot;Marc Bijl at Artra&quot;, Flash Art 36,232, p.49
&lt;br /&gt;PERRA Daniele, &quot;Marc Bijl, Artra Milano&quot;, Tema Celeste 99, p.88
&lt;br /&gt;BIJL Marc, &quot;Prague Biennale 1. Marc Bijl&quot;, Flash Art 36, 231, p.60
&lt;br /&gt;BIJL Marc, &quot;Black Planet&quot;, Magazin 4, text by Boris Kremer and interview by Katharina Schl&#252;ter.
&lt;br /&gt;SCOTINI Marco, &#8220;Beautiful Banners'&#8221; in cat. Prague Biennale 1
&lt;br /&gt;B&#196;TZNER Nike, &quot;Orange Porn&quot;, BE Magazine 9, pp.3,122-128.
&lt;br /&gt;ELLIS Patricia, &quot;Marc Bijl at Kapinos&quot;, Contemporary Art Magazine
&lt;br /&gt;HOLLER-SCHUSTER G&#252;nther, WEIBEL Peter (eds.), &quot;M_ARS - Kunst und Krieg&quot;, Neue Galerie am Landesmuseum Joanneum, Graz / Ostfildern (Cantz Verlag) 2003, cat.
&quot;Into the Breach&quot;, Smart Space Projects, Amsterdam
&lt;br /&gt;Lukas &amp; Sternberg publishers , Nation, Frankfurter Kunstverein , Frankfurt
&quot;Marc Bij - review&quot;, CONTEMPORARY visual arts
&lt;br /&gt;Contribution in SITE, Sweden
&lt;br /&gt;Contribution in ART-ist, Turkey&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;HENDRIKS Arne, &quot;Het Ongezellige Atelier van Marc Bijl&quot;, Tubelight
&lt;br /&gt;ALLEN Jennifer, &#8220;Marc Bijl. K &amp; S&#8221;, Artforum 40, p.186, Summer 2002
&quot;Short guide Manifesta 4 &#8211; European Biennial of Contemporary Art&quot;, Ostfildern (Cantz Verlag)
&quot;Manifesta 4 &#8211; European Biennial of Contemporary Art&quot;, Ostfildern (Cantz Verlag)
&quot;Commitment: een keuze uit drie jaar&quot;, Fonds BKVB, Amsterdam (Fonds voor beeldende kunsten, vormgeving en bouwkunst)
&quot;Forever&quot; (Flash Art Faksimile) catalogue edited by Marc BIJL, published by K&#252;nstlerhaus Bethanien, Berlin, Vice Versa Verlag Berlin
&quot;Jeune Creation&quot;, Paris, cat.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&quot;Hardpop&quot;, Rotterdam (Mama &#8211; Showroom for Media and Moving Art), cat.
&lt;br /&gt;MONSHOUWER Saskia, &quot;Ateliersignalen: Marc Bijl&quot;, Kunstbeeld 25
&lt;br /&gt;Van de VOORT Mark, &quot;Ik wil de wereld niet leuker maken&quot;, in cat. Neighbours/Buren, Eindhoven (Van Abbemuseum), pp.18-19
&quot;Apples and Oranges&quot; (best dutch design with Steffen Maas)
&quot;HARDPOP&quot;, Mama, cat.
&quot;Ich kenne keine Weekend&#8221;, groupshow 'Occupying Space' Rotterdam, cat.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&quot;Dutch Artist Makes Corporate Graffiti&quot;, Philip Remark, Volkskrant
&quot;Schoonheid van het alledaags&quot;, Sandra Smallenburg, NRC Handelsblad&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&quot;Now to Star&quot;, self created artbook for the exhibition 'copyculture'
&quot;Kill your Darlings&quot;, cat.
&quot;Kunstmarct&#8221;, self produced art-magazine 4 editions&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Val&#233;rie Jouve</title>
		<link>http://www.aliceday.be/Valerie-Jouve.html</link>
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		<dc:date>2007-03-14T16:54:44Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>Born in Saint Etienne (F) 1964 &lt;br /&gt;Lives and works in Paris. &lt;br /&gt;EDUCATION &lt;br /&gt;1987-90 Ecole Nationale Sup&#233;rieure de la Photographie, Arles, France. 1981-84 Licence en Ethnologie, Universit&#233; de Lyon II, France &lt;br /&gt;SOLO SHOWS &lt;br /&gt;2006 Galerie Xippas, Paris, France. &lt;br /&gt;2005 Sprengel Museum, commissaire : Inka Schube, Hannover, Allemagne. &lt;br /&gt;2004 R&#233;alisation du film Time Working, Atelier HSL, Amsterdam, Pays-Bas. R&#233;alisation Publique, Art Entreprise, Lyon, France. &lt;br /&gt;2003 Ateliers de la ville de Marseille, commissaire : (...)


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&lt;a href="http://www.aliceday.be/-collaborating-.html" class="spip_out" target="_blank"&gt;collaborating&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;Born in Saint Etienne (F) 1964&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Lives and works in Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;EDUCATION&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1987-90 Ecole Nationale Sup&#233;rieure de la Photographie, Arles, France.
&lt;br /&gt;1981-84 Licence en Ethnologie, Universit&#233; de Lyon II, France&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;SOLO SHOWS&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Galerie Xippas, Paris, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Sprengel Museum, commissaire : Inka Schube, Hannover, Allemagne.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;R&#233;alisation du film Time Working, Atelier HSL, Amsterdam, Pays-Bas.
&lt;br /&gt;R&#233;alisation Publique, Art Entreprise, Lyon, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Ateliers de la ville de Marseille, commissaire : Thierry Olat, Marseille, France.
&lt;br /&gt;Institut d'Art Contemporain, commissaire : Dirk Snauwaert, Villeurbanne, France.
&lt;br /&gt;Centre d'Art Contemporain, commissaire : Anne Giffon, V&#233;nissieux, France (commande photographique).
&lt;br /&gt;Galerie Anne de Villepoix, Paris, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Winterhtur Museum, commissaire : Urs Stahel, Winthertur, Suisse.
&lt;br /&gt;Un proyecto fotografico, Consorcio 2002, Salamanque, Espagne.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Galerie Index, Stockholm, Su&#232;de.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Galerie Shoshana and Wayne, Santa Monica, Californie, Etats-Unis.
&lt;br /&gt;Galerie Charlotte Moser, Gen&#232;ve, Suisse.
&lt;br /&gt;Espace Culturel Fran&#231;ois Mitterand, Beauvais, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Galerie Anne de Villepoix, Paris, France.
&lt;br /&gt;Imago 99, Encuentros de Fotografia y vid&#233;o, Salamanque, Espagne.
&lt;br /&gt;International Biennal Collaborating Country Project : Pavillon Fran&#231;ais, commissaire : Juliana Engberg, Ian Potter Museum, Melbourne, Australie.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Ecole des Beaux-Arts, Valence, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Galerie Anne de Villepoix, Paris, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;GROUP SHOWS&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Toward a new Ease &#8211; Set 4 from the Collection of the Fotomuseum Winterthur, Fotomuseum Winthertur, Suisse (3 mars - 14 octobre) &lt;br /&gt;Airs de paris, commissaire : Christine Macel, Centre Georges Pompidou, Paris, France (25 avril-15 ao&#251;t)
&lt;br /&gt;Skulpture Projekte M&#252;nster 07, commissaires : Kasper K&#246;nig, Brigitte Franzen et Carina Plath, M&#252;nster, Germany (17 juin-30 septembre)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;City Blues, fragments d'une collection, Espace arts plastiques, V&#233;nissieux, Paris, France (9 novembre - 16 d&#233;cembre 2007)
&lt;br /&gt;Art France Berlin, The Cultural Forum for Photography, Berlin, Allemagne.
&lt;br /&gt;F&#234;te promise, CCC / Galerie Exp&#233;rimentale, Tours, France.
&lt;br /&gt;La r&#233;gion humaine, Mus&#233;e d'Art Contemporain de Lyon, France (24 septembre - 31 d&#233;cembre).
&lt;br /&gt;Les peintres de la vie moderne, donation - collection photographique de la Caisse des d&#233;p&#244;ts, Centre Georges Pompidou, Paris, France (27 septembre - 12 mars 2007).
&lt;br /&gt;La Force de l'Art, Grand Palais, Paris, France.
&lt;br /&gt;Toucher l'indicible, Centre R&#233;gional d'Art Contemporain, S&#232;te, France.
&lt;br /&gt;Cultures amoureuses, Maison de la Villette / Parc de la Villette, Paris, France.
&lt;br /&gt;Semaine Europ&#233;enne de la Photographie 2006, Reggio Emilia, Italie.
&lt;br /&gt;University of Sheffield, commissaire : Amanda Crawley Jackson, Grande-Bretagne.
&lt;br /&gt;Channel, Cupola Contemporary Art Ltd, Sheffield, Grande-Bretagne.
&lt;br /&gt;Passages en ville, Le Bellevue, Biarritz, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005-06
&lt;br /&gt;D'un moment &#224; l'autre, Rencontres Internationales de la Photographie, Abbaye de Montmajour, Arles, France; exposition itin&#233;rante : Le Jeu de paume &quot;hors les murs&quot;, Fondation nationale des arts graphiques et plastiques et Espace photographique de la Sc&#232;ne Watteau, Nogent-sur-Marne, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;L'ombre du temps, Galerie Nationale du Jeu de Paume, Paris, France.
&lt;br /&gt;Autoportrait, Galerie Michel Rein, Paris, France.
&lt;br /&gt;Conditions Urbaines, Galerie Donz&#233;vansaanen, Lausanne, Suisse.
&lt;br /&gt;Yet Untitled, Kunsthalle N&#252;rnberg, N&#252;rnberg, Allemagne.
&lt;br /&gt;Portraits group&#233;s, Palais Delphinal, Romans, France.
&lt;br /&gt;Ficcions, documentals- Projection du film : Grand Littoral, Fundacio La Caixa, Barcelone, Espagne.
&lt;br /&gt;Fabrique de l'image, commissaire : Guillaume Legall, Villa M&#233;dicis, Rome, Italie.
&lt;br /&gt;Suite 01, Ecole des Beaux-Arts de Lyon, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;L'invention de la ville, Stadtmuseum, Erlangen, Allemagne. *
&lt;br /&gt;Les affiches ne meurent jamais, Le Bleu du Ciel, Artexte et le Lieu- Bordeaux, Montr&#233;al et Qu&#233;bec. &#201;dition d'affiches.
&lt;br /&gt;Val&#233;rie Jouve, Jean Luc Moul&#232;ne, Florence Paradeis, Le Plateau, Paris, France.
&lt;br /&gt;Cardinales, commissaires : Bartomeu Mari et Dirk Snauwaert, MARCO Museo de Arte Contemporaneo, Vigo, Espagne. *&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Paysages Urbains - Paysages Humains, commissaire : V&#233;ronique de Belfroie, Office Park Nysdam, Bruxelles, Belgique.
&lt;br /&gt;Formal Social, commissaire : Carina Plath, Westf&#228;lisher Kunstverein, Munster, Allemagne. *
&lt;br /&gt;R&#233;alit&#233;s : Hommage &#224; Courbet, commissaire : Philippe Cyroulnik, La Passerelle, Brest, France. *&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Runa Islam, Val&#233;rie Jouve, Vibeke Tandberg, commissaire : Hripsim&#233; Visser, Stedelijk Museum, Amsterdam, Pays-Bas.
&lt;br /&gt;The City/Byen, Galleri Wang, Oslo, Norv&#232;ge.
&lt;br /&gt;L&#233;gerdiff&#233;r&#233;, commissaire : Noelle Tissier, Centre d'Art Contemporain, S&#232;te, France.
&lt;br /&gt;Oublier l'exposition, Huis Marseille, Amsterdam, Pays-Bas.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Cette culture qui vient de la rue, commissaire : Pierre Restany, Galerie Municipale, Vitry sur seine, France. *
&lt;br /&gt;Plan B, hARTware projekte, Dortmund, Allemagne.
&lt;br /&gt;L'invitation &#224; la ville, commissaire : Anne Wauters, B&#226;timent Vanderborght, Bruxelles, Belgique.
&lt;br /&gt;Val&#233;rie Jouve, Djamel Tatah, Maison de la Culture d'Amiens, France. *&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;La Collection du mus&#233;e de Rochechouart, Mus&#233;e d'Art Contemporain, Buenos aires, Argentine; Centre d'Art Contemporain, Santiago.
&lt;br /&gt;France, une nouvelle g&#233;n&#233;ration, commissaire : Jean-Marc Pr&#233;vost, Circulo de Bellas Artes, Madrid, Espagne. *
&lt;br /&gt;Paris en Cr&#233;ation, Bunkamura Gallery, Tokyo, Japon.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Corps Social, commissaire : Eric de Chassey, ENSBA, Paris, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;You Talk I Listen, Taipei Fine Arts Museum, commissaire : C&#233;cile Bourne, Taipei. *
&lt;br /&gt;The Art of Everyday, France in the 90's, commissaires : Lynn Gumpert, Thomas Sokolowski, Nexus Contemporary Art Center, Atlanta. *
&lt;br /&gt;Val&#233;rie Jouve, Andr&#233;a Keen, Centre National de la Photographie, Paris, France. *
&lt;br /&gt;Singularit&#233;s crois&#233;es (Rineke Dikjstra, Val&#233;rie Jouve, Gillian Wearing), commissaire : Jean Marc Prevost, Mus&#233;e de Rochechouart, Rochechouart, France.
&lt;br /&gt;Vincent Beaurin, Fabrice Domercq, Val&#233;rie Jouve, Franck Scurti, Elga Wimmer Gallery, New York, Etats-Unis.
&lt;br /&gt;Zeitgen&#246;ssische Fotokunst aus Frankreich, Neuer Berliner Kunsteverein, Berlin, Allemagne. *
&lt;br /&gt;Remix, Mus&#233;e des Beaux-Arts, Nantes, France.
&lt;br /&gt;Tu parles, j'&#233;coute, la Ferme du Buisson, Centre d'Art Contemporain, Marne la Vall&#233;e, France. *&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Twee Meijes op het Strand ...3, Galerie Joost Declercq, Knokke, Belgique.
&lt;br /&gt;Photographies d'une collection : 3/97, Caisse des d&#233;p&#244;ts et Consignations, Paris, France. *
&lt;br /&gt;The Art of Everyday, Grey Art Gallery, New York, Etats-Unis. *
&lt;br /&gt;Pittsburg Center for the Arts, commissaires : Thomas W. Sokolowski, Lynn Gumpert, Pittsburg, Etats-Unis.*
&lt;br /&gt;In situ/In visu,commissaire : Guy Tortosa, Cimaise et Portique, Albi, France.
&lt;br /&gt;1 minute sc&#233;nario, commissaire : J&#233;r&#244;me Sans, Le Printemps de Cahors, Cahors, France. *
&lt;br /&gt;Elisabeth Creseveur, Val&#233;rie Jouve, Fonds R&#233;gional d'Art Contemporain, Marseille, France.
&lt;br /&gt;Transit, collection du Fnac, ENSBA, Paris, France. *&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Prospect 96, Kunsteverein Museum, Frankfort, Allemagne. *
&lt;br /&gt;EVA+A, City Art Gallery, Limerick, Irlande.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995
&lt;br /&gt;Les Visiteurs, Mus&#233;e d'Art Contemporain, Marseille, France. *
&lt;br /&gt;V. Jouve, J. L. Moul&#232;ne, J. L. Schoellkopf, B. Streuli, Galerie Anne de Villepoix, Paris, France.
&lt;br /&gt;Collections publiques
&lt;br /&gt;ARC, Mus&#233;e d'Art Moderne de la Ville de Paris, France.
&lt;br /&gt;Biblioth&#232;que Nationale, Paris, France.
&lt;br /&gt;Caisse des d&#233;p&#244;ts et consignation, France.
&lt;br /&gt;CAV- Encontros de Fotografia, Coimbra, Espagne.
&lt;br /&gt;DA2 Domus Artium 2002, Salamanque, Espagne.
&lt;br /&gt;Fondation NSM Vie/ABN-AMRO, Paris, France.
&lt;br /&gt;Fonds National d'Art Contemporain, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Aquitaine, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Basse Normandie, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Corse, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Haute Normandie, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Ile de France, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Limousin, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Pays de Loire, France.
&lt;br /&gt;Fonds R&#233;gional d'Art Contemporain Provence-Alpes-C&#244;te d'Azur, France.
&lt;br /&gt;Fotomuseum Winterthur, Suisse.
&lt;br /&gt;Institut d'Art Contemporain, Villeurbanne, France.
&lt;br /&gt;Mus&#233;e d'art contemporain du Val de Marne, Vitry-sur-Seine, France.
&lt;br /&gt;Mus&#233;e d&#233;partemental d'art contemporain de Rochechouart, France.
&lt;br /&gt;Mus&#233;e national d'art moderne, Centre Georges Pompidou, Paris, France.
&lt;br /&gt;Museum Folkwang, Essen, Allemagne.
&lt;br /&gt;Fondation NSM Vie/ABN-AMRO, Paris, France.
&lt;br /&gt;Stedeljikmuseum, Amsterdam, Pays-Bas.
&lt;br /&gt;Walker Art Center, Minneapolis, Etats-Unis.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;FILMOGRAPHY / PRICES&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;10th Jihlava International Documentary Film, Jihlava, R&#233;publique Tch&#232;que.
&lt;br /&gt;Underbox, Festival de documents et experiments, Munich, Allemagne.
&lt;br /&gt;Mac/Val Mus&#233;e d'Art Contemporain du Val-de-Marne, Vitry-sur-Seine, France.
&lt;br /&gt;9th International Film Festival Expression en Corto 2006, Corto, Mexique.
&lt;br /&gt;Festival International du Film Documentaire, Marseille, France.
&lt;br /&gt;Urbi &amp; Orbi, 3&#232;me Biennale de la Photographie et de la Ville, M&#233;diath&#232;que de Sedan, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Marcher, Maison des Arts Georges Pompidou, Cajarc, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Premiere, New York - projection de Grand Littoral au MOMA, Etats-Unis.
&lt;br /&gt;Ober Hausen - Festival International de Ober Hausen, Allemagne.
&lt;br /&gt;Festival International de Buenos Aires, Argentine.
&lt;br /&gt;Un Inventaire Contemporain, Galerie Nationale du Jeu de Paume, Paris, France.
&lt;br /&gt;Grand Littoral, Palais de Tokyo, Paris, France.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Festival International du Film Documentaire, Marseille, France.
&lt;br /&gt;Prix Georges de Beauregard, Prix du Son.
&lt;br /&gt;Artcore Film, Koln, Allemagne, Mention Sp&#233;ciale.
&lt;br /&gt;Folkwang museum, Essen, Allemagne.
&lt;br /&gt;Festival International de Torino, Italie.
&lt;br /&gt;Biennale de l'Image en Mouvement, Gen&#232;ve, Suisse.
&lt;br /&gt;Entrevues, Festival International de Belfort, France.
&lt;br /&gt;Prix du Court M&#233;trage en Documentaire.
&lt;br /&gt;Point Ligne Plan, Cin&#233;ma l'Entrep&#244;t, Paris, France.
&lt;br /&gt;MK2 Quai de Seine, Paris, France.&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Gerard Byrne</title>
		<link>http://www.aliceday.be/Gerard-Byrne.html</link>
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		<dc:date>2007-03-13T16:40:03Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>Gerard Byrne &lt;br /&gt;Homme &#224; Femmes (Michel Debrane) &lt;br /&gt;Homme &#224; Femmes (Michel Debrane) is a single channel video projection, which documents an attempt to dramatically re-enact a 1977 interview conducted between the French intellectual Jean-Paul Sartre, and journalist Catherine Cha&#238;ne, which was published in 'Le Nouvel Observateur' journal. The project develops from a number of previous projects Byrne has realised, each of which similarly engage a collective amnesia about our shifting cultural history, (...)


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Gerard Byrne&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Homme &#224; Femmes (Michel Debrane)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Homme &#224; Femmes (Michel Debrane) is a single channel video projection, which documents an attempt to dramatically re-enact a 1977 interview conducted between the French intellectual Jean-Paul Sartre, and journalist Catherine Cha&#238;ne, which was published in 'Le Nouvel Observateur' journal. The project develops from a number of previous projects Byrne has realised, each of which similarly engage a collective amnesia about our shifting cultural history, through dramatic re-enactments of culturally loaded conversations and interviews gleaned from discarded popular magazines. Previous works have delved into the forlorn double page spreads of issues from 'National Geographic' and 'Playboy' during the seventies and eighties; with Homme &#224; Femmes (Michel Debrane) Byrne focuses on a generically candid encounter with Sartre, which discusses his relationship with women throughout his life, at a moment towards the end of that life.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;In the original exchange Sartre, the emblematic European intellectual of the twentieth century, embodies a whole modernist patrimony under the scrutiny of a younger feminist journalist. In Byrne's project, a journeyman French actor (real name Michel Debrane) struggles to re-construct that edifice under the gaze of a camera, while being questioned from off-screen by an actress who plays the journalist Cha&#238;ne. Separated by age, and by gender, and formed by different epochs, Sartre a Marxist Modernist, and Cha&#238;ne a post '68 feminist, the schism between the two is dramatised in Byrne&#185;s project through the use of surround sound technology. In Homme &#224; Femmes (Michel Debrane), Sartre never escapes the gaze of the camera, his alienated voice emanating from within the rectangular image. The voice of Cha&#238;ne emerges from outside and at odds with that projected image, from somewhere behind the viewer, mingling with both the noisy presence of the film crew in the space behind the camera, and the actual noise of viewers in the space of the gallery. The formal rupture between audio and image within the work, mirrors both the profound historical differences between the conversants, and the gap cleaved by the camera between those before it - Debrane, isolated in his struggle to personify Sartre, and those who stand behind and watch.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Born in Dublin, 1969&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Education&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Whitney Independent Study Program, New York, 1999
&lt;br /&gt;M.F.A. New School for Social Research, New York, 1996
&lt;br /&gt;B.A. National College of Art &amp; Design, Dublin, 1991&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Solo exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Venise Biennale&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Beaumont Public Project Space, Luxembourg&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Chisenhale Gallery, London
&lt;br /&gt;Dundee Contemporary Arts, in collaboration with Film Video Umbrella&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Green on Red Gallery, Dublin
&lt;br /&gt;Artissima, Turin
&lt;br /&gt;In repertory, Project, Dublin
&lt;br /&gt;A country road. A tree. Evening, BAK Utrecht Curated by Maria Hjlavajova&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Frankfurter Kunstverein, Frankfurt, Curated by Nicolaus Schafhausen&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Douglas Hyde Gallery, Trinity College, Dublin
&lt;br /&gt;Limerick City Gallery
&lt;br /&gt;Green on Red Gallery, Dublin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;A crime dramatically re-constructed, again, Meeting House Square, Dublin,&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Theater, Galeri T-19, Vienna&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Theater-Bunker-Archive-Reception area, Green on Red Gallery, Dublin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Temple Bar Music Centre, Dublin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1994
&lt;br /&gt;City Arts Centre, Dublin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1993
&lt;br /&gt;Galeria Monumental, Lisbon, Portugal&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Musee du Pilori, Niort, France&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Group exhibitions (selected)&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;A Short History of Performance: Part 3, Whitechapel, London
&lt;br /&gt;Nordic Biennial, Moss, Norway
&lt;br /&gt;Lembachaus, Munich&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;EindhovenIstanbul, Van Abbemuseum, Eindhoven
&lt;br /&gt;Information / Transformation, Extra City, Antwerp
&lt;br /&gt;More than this, Goteborg Biennial, Goteborg
&lt;br /&gt;I really should, Lisson Gallery
&lt;br /&gt;If I can't Dance, I don't want to be part of your revolution, Utrecht / Den Bosch / Leiden
&lt;br /&gt;Icestrom, Kunstverein Munchen&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Dedicated to a Proposition, Extra City, Antwerp
&lt;br /&gt;Fiction, Timothy Taylor Gallery, London
&lt;br /&gt;The Whitstable Biennial, Whitstable, England
&lt;br /&gt;This much is certain, Royal College of Art, London
&lt;br /&gt;EV+A, Limerick
&lt;br /&gt;New Party, Breeder Projects, Athens&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Institution@, Kiasma, Finnish Museum of Modern Art, Helsinki
&lt;br /&gt;The Istanbul Biennale, Istanbul
&lt;br /&gt;The American effect, Whitney Museum of American Art, New York
&lt;br /&gt;Stop &amp; Go, FRAC Pas-de-Calais
&lt;br /&gt;Permaculture, Project, Dublin&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;One Site, Two Places, Galleri der Stadt, Sindelfingen
&lt;br /&gt;September Horse, Kunstlerhaus Bethanian, Berlin
&lt;br /&gt;Greyscale / CMYK, Tramway, Glasgow
&lt;br /&gt;Manifesta 4, Frankfurt
&lt;br /&gt;How things turn out, Irish Museum of Modern Art, Dublin
&lt;br /&gt;Stepping out, Pittsburgh Center for Contemporary Art.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Vacationland, Arthouse, Dublin
&lt;br /&gt;New Settlements, Nikolaj center for Contemporary Art, Copenhagen
&lt;br /&gt;Art London&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;At a remove, Woodstock Center for Photography, New York
&lt;br /&gt;Light as object, Gale Gates Performance space, New York
&lt;br /&gt;Strange but True, Arnolfini, Bristol &lt;br /&gt;Art London &lt;br /&gt;Transporter, Bangkok, Thailand&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;The conclusion of a paradox, Icebox, New York
&lt;br /&gt;RaumGrenzen, Galerie Hubert Winter, Vienna
&lt;br /&gt;Utopias, Douglas Hyde Gallery, Dublin
&lt;br /&gt;Performance festival Odense, Kunsthallen Brandts Klaedefabrik, Denmark
&lt;br /&gt;EVA Limerick
&lt;br /&gt;Art Chicago
&lt;br /&gt;Catalyst Arts, Belfast &lt;br /&gt;Spaceship Earth, Art in General, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Multiples, Temple Bar Gallery, Dublin
&lt;br /&gt;A street walk named desire, Kunsthalle, Luzern
&lt;br /&gt;Good Life project, Benno Loning's place, Brooklyn New York
&lt;br /&gt;Wish you luck, PS.1 Art Center, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Performance festival Odense, Kunsthallen Brandts Klaedefabrik, Denmark
&lt;br /&gt;Kiosk, Downtown Arts Festival, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995
&lt;br /&gt;Collisions, Arteleku, San Sebastian, Spain&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Lux Europae, Edinburgh&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1991
&lt;br /&gt;Windfall, Glasgow&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Teaching&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000 &#8211; present	Lecturer in Fine Art Sculpture, Limerick Institute of Technology, Ireland.
&lt;br /&gt;1998 &#8211; present	Visiting lecturer at Universities and Art Schools internationally including The Royal College of Art, London, The Royal Art Academy of Copenhagen, The University of Ulster, Manchester Metropolitan University, Rochester Institute of Technology, National College of Art &amp; Design Dublin, and Bergen Academy of Arts, Norway.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Publications&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&quot;More than this&quot; 3rd Goteborg International Biennial, Goteborgs Kunsthall, 2005
&#8220;Books, Magazines, Newspapers&#8221;, w/essay by George Baker, Lukas &amp; Sternberg # 9, 2004
&#8220;A country road, a tree, evening&#8221;, BAK, 2004
&#8220;Printed Project Issue # 1&#8221;, October 2003
&#8220;This much is certain&#8221; Royal College of Art Curatorial programme, 2004
&#8220;Poetic justice&#8221; The 8th Istanbul Niennial, Ed. Dan Cameron, 2003
&#8220;The American Effect&#8221; Ed. Lawrence Rinder, Whitney Museum of American Art, 2003
&lt;br /&gt;Interview with Joachim Koester, Newspaper Jan Mot, Brussels, Jan-Feb 2003
&#8220;Op-Ed&#8221;, Limerick City Gallery &amp; The Douglas Hyde Gallery, Dublin, 2002
&lt;br /&gt;Artists contribution to October Magazine, # 100, Pub. M.I.T. Press 2002
&#8220;Greyscale / CMYK&#8221; (Cat.) Ed. Rebecca Gordon- Nesbitt, Pub. NIFCA, 2002
&#8220;Manifesta 4&#8221; (Cat.) Frankfurt, 2002. Meike Behm (Ed.)
&#8220;How things turn out&#8221; (Cat.) I.M.M.A.,Dublin 2002. Annie Fletcher (Editor)
&#8220;Transporter&#8221; (Cat.) Editors De Chiara &amp; Urabe AARA Bangkok Thailand 2000
&#8220;Utopias&#8221; (Cat.) Douglas Hyde Gallery, Dublin. 1999
&#8220;Performance festival&#8221; (Cat.) Pub. Kunsthallen Brandts Klaedefabrik, Odense, Denmark 1997 &amp; 1999
&#8220;E.V.+ A.&#8221; 99. (Cat.) Ed. Jeanne Greenberg Rohytan. Pub. Gandon Editions 1999
&#8220;Collisions&#8221; (Cat.) Ed. Corinne Diserans. Pub. Arteleku, San Sebastian, Spain, 1995
&#8220;Lux Europae&#8221; (Cat.) Ed. Isabelle Vasier. Pub. Edinburgh 1992
&#8220;Windfall&#8221; (Cat.) Pub. Glasgow 1991&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;
&lt;br /&gt;Recent Exhibition Reviews / Press&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Photography's Expanded Field George Baker, October, No. 114, Fall 2005
&lt;br /&gt;Abstraction and dislocation in recent &lt;br /&gt;works by Gerard Byrne Maeve Connolly, Circa, No. 113, Autumn 2005
&lt;br /&gt;Icestorm Pablo Lafuente, Frieze, No.93, September 2005
&#8220;Hommes a Femmes,&#8221; Green on Red Gal.	Circa, Spring 2005
&lt;br /&gt;An Archival impulse Hal Foster, October, No. 110, Fall 2004
&lt;br /&gt;The View R.T.E. October 2004 (TV)
&lt;br /&gt;Hommes a Femmes Untitled Magazine, September 2004
&lt;br /&gt;fiction: Truth in Photography and Painting	Art Monthly, Sept. 2004
&lt;br /&gt;This much is certain Preview section, Art Review, March 2004
&lt;br /&gt;Gerard Byrne Frieze Magazine, January 2004
&lt;br /&gt;New Sexual Lifestyles Sunday Times Culture Section, 9/11/03
&lt;br /&gt;Focus on Photography II Flash Art, November, 2003
&lt;br /&gt;Reality Art: Dokumentarisches Arbeiten &lt;br /&gt;in Kunst, Film, Video, Fotografie Springerin, Herbst 2003
&lt;br /&gt;Reanimations (1) George Baker, October, No. 104, Spring 2003
&lt;br /&gt;Sex talk in the Summer House Sunday Times Culture Section, 17/11/02
&lt;br /&gt;How Americans look from Abroad The New Yorker Magazine, 4/8/03
&lt;br /&gt;The View R.T.E. October, 2002 (TV)
&lt;br /&gt;Photos that paint a thousand words Irish Times 17/7/02
&lt;br /&gt;Manifesta 4 Suddeutsche Zeitung 27/5/02
&lt;br /&gt;Manifesta 4 Flash Art Magazine, July &#8211; September 2002
&lt;br /&gt;Manifesta 4 Frieze Magazine, Summer 2002
&lt;br /&gt;Love of the Irish NIFCA INFO 1/02
&lt;br /&gt;In the news InDublin Vol 27, No. 3 2002
&lt;br /&gt;New Settlements Frieze Magazine Issue 61 September 2001
&lt;br /&gt;Theater Eigon Magazine Spring 2001
&lt;br /&gt;In a square darkly Irish Times 20/1/01
&lt;br /&gt;Distance the Camera allows Woodstock Times 23/11/00
&lt;br /&gt;The Light Show Time Out New York, 10/00
&lt;br /&gt;Vom Drama zwischen den Akten Frankfurter Allgemeine Zeitung 30/9/00
&lt;br /&gt;The View R.T.E. January 16, 2001 (TV)
&lt;br /&gt;City Clickers Irish Times 29/9/99
&lt;br /&gt;Reflections on a less then perfect world	Irish Times 18/8/99
&lt;br /&gt;Bridging the Gap Sunday Times Culture 12/9/99
&lt;br /&gt;Photographs Sunday Times Culture 12/9/99
&lt;br /&gt;Art Irish Times 11/9/99
&lt;br /&gt;Between image and Text Source Magazine Summer 1999
&lt;br /&gt;Belfast	Circa Magazine Summer 1999
&lt;br /&gt;Spatial experience or spatial Disorientation Katalog Magazine, Spring 1999
&lt;br /&gt;Wish you luck Review Magazine April 1998
&lt;br /&gt;Cursai Elaine R.T.E. March 1998 (TV)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Awards&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Irish Arts Council Project grant, 2002
&lt;br /&gt;Irish Arts Council Bursary, 1994, 2000
&lt;br /&gt;Victor Treacy Award, Butler Gallery, Kilkenny. 1998
&lt;br /&gt;P.S. 1 Studio program, New York, 1997-98
&lt;br /&gt;Fulbright Scholarship, 1994
&lt;br /&gt;Network North Residency, Helsinki, 2002
&lt;br /&gt;Irish Museum of Modern Art Artists Work Programme, Dublin, 2001
&lt;br /&gt;Graduate Research Summer School, Arteleku, San Sebastian, Spain, 1995
&lt;br /&gt;Pepinieeres Europeenes Fellowship, Niort, France, 1992&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Collections&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Major installations in the collections of FRAC Lorraine, GAM, Turin, IMMA, Dublin, and FRAC Nord Pas-de-Calais, and Deka Bank, Frankfurt.&lt;/p&gt;&lt;/div&gt;
		
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		<title>Eddie Martinez</title>
		<link>http://www.aliceday.be/Eddie-Martinez,8.html</link>
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		<dc:date>2007-02-14T11:34:21Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>1977 Lives and works in Brooklyn, New York &lt;br /&gt;Solo exhibitions &lt;br /&gt;2009 Eddie Martinez, Seomi &amp; Tuus, Seoul, Korea &lt;br /&gt;2008 Galleri Loyal, Stockholm ZieherSmith, New York &lt;br /&gt;2007 Hooters, Galeria Comercial, San Juan, Puerto rico Darkness, aliceday, Brussels &lt;br /&gt;2006 A Horse With No Name, ZieherSmith, New York A Mini Carrot Experience, Galleri Loyal, Stockholm, Sweden &lt;br /&gt;2005 Abracadabra, Bucket Rider, Chicago Cool Beans Brother, Galleri Loyal, Stockholm, Sweden A Big Ole Steely Dan Conversation, Allston Skirt (...)


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;1977
&lt;br /&gt;Lives and works in Brooklyn, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Solo exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2009
&lt;br /&gt;Eddie Martinez, Seomi &amp; Tuus, Seoul, Korea&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;Galleri Loyal, Stockholm
&lt;br /&gt;ZieherSmith, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Hooters, Galeria Comercial, San Juan, Puerto rico
&lt;br /&gt;Darkness, aliceday, Brussels&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;A Horse With No Name, ZieherSmith, New York
&lt;br /&gt;A Mini Carrot Experience, Galleri Loyal, Stockholm, Sweden&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Abracadabra, Bucket Rider, Chicago
&lt;br /&gt;Cool Beans Brother, Galleri Loyal, Stockholm, Sweden
&lt;br /&gt;A Big Ole Steely Dan Conversation, Allston Skirt Gallery, Boston&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Selected group exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2009
&lt;br /&gt;Just landed (with Wes Lang), aliceday, Brussels &lt;br /&gt;Collaborations, ZieherSmith, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2008
&lt;br /&gt;This is Boston, Not LA, LaMontagne Gallery, Boston
&lt;br /&gt;Whatever is Whatever, curated by Dimitrios Antonitsis, Hydra Project, Greece
&lt;br /&gt;Timeless, Morris Museum, Morristown, New Jersey
&lt;br /&gt;Mail Order Monsters, curated by Kathy Grayson, Andreas Melas Presents, Athens and Max Wigram Gallery, London
&lt;br /&gt;Living In A Box, Galerie Mikael Andersen, Berlin
&lt;br /&gt;ambivalent figuration; people, Samson Projects, Boston&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Eddie Martinez, William J. O'Brian, Roman Wolgin, Jonas Wood, Gallery Min Min, Tokyo Accessories, Galerie Mikael Anderson, Copenhagan, Denmark
&lt;br /&gt;Painters, Cosar HMT, D&#252;sseldorf, Germany
&lt;br /&gt;Mail Order Monsters, curated by Kathy Grayson, Peres Projects Berlin (Touring exhibition, Deitch Projects, New York)
&lt;br /&gt;Group exhibition, Gallery Min Min, Tokyo
&lt;br /&gt;So Wrong, I'm right, Blum &amp; Poe, Los Angeles
&lt;br /&gt;Athens Biennial, curated by Dan Nadel, Athens, Greece
&lt;br /&gt;Cabinet of Curiosities, curated by Kathy Grayson, The Journal, Brooklyn
&lt;br /&gt;Brodeo, New Image Art, Los Angeles
&lt;br /&gt;Crystal Crunch, curated by Taylor Mc Kimens, Perugi, Padua, Italy
&lt;br /&gt;Five Painters, Galleri Loyal, Stockholm, Sweden&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Panic Room: Works from the Dakis Joannou Collection, Deste Foundation Centre for Contemporary Art, Athens
&lt;br /&gt;Beyond, curated by Caroline Hwang &amp; Suzannah Sinclair, New Image Art, Los Angeles 10 Curatorial Perspectives, curated by Wayne Northcross, Haven Arts, Bronx, New York
&lt;br /&gt;You have to be almost gifted to do what I do, Alexander and Bonin, New York
&lt;br /&gt;Don't Abandon The Ship, Allston Skirt Gallery, Boston
&lt;br /&gt;Fine Line, Adam Baumgold Gallery, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Thank You for the Days, Bucket Rider Gallery, Chicago
&lt;br /&gt;Winners, HiFi Gallery, Austin, Texas
&lt;br /&gt;Greater Brooklyn, CRG Gallery, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Eddie Martinez and Denise Kupferschmidt, Evos Arts, Lowell, Massachusetts
&lt;br /&gt;In The Making, KCDC, Brooklyn, New York
&lt;br /&gt;Two Steps Back, traveling show, Europe
&lt;br /&gt;The 18th Drawing Show, Mills Gallery, Boston
&lt;br /&gt;Eddie Martinez and Matt Clark, Compound Gallery, Portland, Oregon
&lt;br /&gt;Suburban, 1300 Gallery, Cleveland, Ohio
&lt;br /&gt;Space 1026, Philadelphia
&lt;br /&gt;New Image Art, Los Angeles&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;The Russian Doll Show, 65 Hope Street Gallery, Brooklyn, New York
&lt;br /&gt;Dishwasher Safe, Wurst Gallery, Portland, Oregon
&lt;br /&gt;Halloween Show, Evos Arts, Lowell, Massachusetts
&lt;br /&gt;Go Team, Upstairs At Johnsons, Boston
&lt;br /&gt;Textile, Somerville Arts Center, Somerville, Massachusetts
&lt;br /&gt;Subconscious, 1300 Gallery, Cleveland, Ohio
&lt;br /&gt;Overhung, Oni Gallery, Boston
&lt;br /&gt;Animal Show, Mass Art, Boston&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;We Are Custard, Art Market Gallery, Jamaica Plain, Massachusetts&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;BIBLIOGRAPHY&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Eddie Martinez, New York: PictureBox &amp; ZieherSmith, March 2008
&quot;Eddie Martinez: Blockheads,&quot; Knock 8, Spring 2008
&lt;br /&gt;John Goodrich, &quot;Full-Tilt Figuration,&quot; The New York Sun, September 13, 2007
&lt;br /&gt;Revisionaries; A Decade of Artists in Tokion, New York: Abrams, 2007 &lt;br /&gt;Anna Altman, &quot;Review: Crystal Crunch,&quot; Artkrush 54, March 21-April 3, 2007
&quot;Eddie Martinez,&quot; New American Paintings, Boston: Open Studios Press, Spring 2007
&lt;br /&gt;Mary Louise Schumacher, &quot;Worthy alternative art transcends pop culture,&quot; Milwaukee Journal Sentinel, November 7, 2006
&lt;br /&gt;Martin Gelin, &quot;Wes, Jules &amp; Eddie, Bon International 9 (Fall 2006)
&lt;br /&gt;David Coggins, &quot;Eddie Martinez at ZieherSmith,&quot; Art In America, October 2006
&lt;br /&gt;Anthony Downey, &quot;Debut: Eddie Martinez,&quot; ArtReview, June 2006
&lt;br /&gt;Delaine LeBas, &quot;Scrapbook,&quot; ArtReview, March 2006
&lt;br /&gt;Dominic Molon, &quot;Games for Two or More,&quot; ArtReview, March 2006
&lt;br /&gt;Susanna Sl&#246;&#246;r, &quot;Att markera sin plats: Eddie Martinez, Galleri Loyal,&quot; Omkonst, February 16, 2006
&lt;br /&gt;Daniel Kunitz, &quot;Eddie Martinez: Everyday Folk,&quot; ArtReview, July 2005
&lt;br /&gt;James Reed, &#8220;Rockin' Art Exhibit,&#8221; The Boston Globe, June 25, 2005
&lt;br /&gt;Loyal and His Band, Stockholm: Loyal, 2005
&lt;br /&gt;Amy Giunta, &quot;Eddie Martinez,&quot; Loyal Magazine, March, 2005
&lt;br /&gt;Ernest Loesser, &quot;King Of Art,&quot; Tokion Magazine, Issue 46, March/April 2005
&lt;br /&gt;Royce Deans, &quot;Eddie Martinez,&quot; Copper Press, Issue 20, 2004
&quot;Independent Curators,&quot; Boston Magazine, March 2004
&lt;br /&gt;Sonya Shrier, &quot;The Russian Doll Show,&quot; The Brooklyn Rail, February 2004
&lt;br /&gt;Michael Haggerty, &quot;Doll Parts,&quot; XLR8R Magazine, December 2003&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Dolor&#232;s Marat</title>
		<link>http://www.aliceday.be/Dolores-Marat.html</link>
		<guid isPermaLink="true">http://www.aliceday.be/Dolores-Marat.html</guid>
		<dc:date>2007-02-07T12:35:08Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>Dolor&#232;s Marat was born in Paris on October 26th 1944. She started photography in 1959 in a small shop, where she worked for three years, learning all laboratory techniques. Between 1962 and 1969, Dolor&#232;s worked as a a street portraitist and within car races, as well as a stage photographer at the ORTF. Between 1969 and 1982, she worked as a black &amp; white laboratine for the magazine &#8216;Votre Beaut&#233;', where she developed and printed the photographs of the biggest of that time (Guy Bourdin, Jeanloup (...)

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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;Dolor&#232;s Marat was born in Paris on October 26th 1944. She started photography in 1959 in a small shop, where she worked for three years, learning all laboratory techniques. Between 1962 and 1969, Dolor&#232;s worked as a a street portraitist and within car races, as well as a stage photographer at the ORTF.
&lt;br /&gt;Between 1969 and 1982, she worked as a black &amp; white laboratine for the magazine &#8216;Votre Beaut&#233;', where she developed and printed the photographs of the biggest of that time (Guy Bourdin, Jeanloup Sieff, Helmut Newton, Sarah Moon&#8230;) She became a regular photographer of the magazine from 1983 until 1994.
&lt;br /&gt;Since 1983, Dolor&#232;s Marat has been building a personal work, that has been shown in Paris, London, New York and Brussels. She is currently working for the press and for regular customers such as Herm&#232;s, Weston, or Givenchy.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Solo shows&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2007
&lt;br /&gt;Carte blanche, galerie Kamel Mennour, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;MK gallery, Rotterdam&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Centre culturel fran&#231;ais, Damas.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;MK Galerie, Rotterdam.
&lt;br /&gt;Open Eye Gallery, Liverpool.
&lt;br /&gt;Centre des arts d'Enghien-les-Bains.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Damasquine Gallery &#8211; Bernard Pr&#233;vot, Brussels.
&lt;br /&gt;Herm&#232;s, New York, USA.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Galerie Contrejour, Marseille.
&lt;br /&gt;Labyrinthe, FNAC du Forum, Paris.
&lt;br /&gt;Centre culturel de Cherbourg.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Th&#233;&#226;tre du Quartz, Brest.
&lt;br /&gt;Damasquine Gallery, Brussels.
&lt;br /&gt;Galerie du Forum, Toulouse.
&lt;br /&gt;Alliance fran&#231;aise, month of photography, Toronto.
&lt;br /&gt;Journ&#233;es photographiques de Bienne.
&lt;br /&gt;Centre Georges Brassens, Avrill&#233;.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Th&#233;&#226;tre Granit de Belfort, Belfort.
&lt;br /&gt;Centre culturel de Surabaya, Indonesia.
&lt;br /&gt;Centre M&#233;diterran&#233;en de la photographie, Bastia.
&lt;br /&gt;Th&#233;&#226;tre de l'Agora, Evry.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;The Witkin Gallery, New York, USA.
&lt;br /&gt;Centre culturel de Rib&#233;nac.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Consigo interiores, Caimbra.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;The Photographers'Gallery, London.
&lt;br /&gt;Galerie du Forum, Montpellier.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995
&lt;br /&gt;Galerie Pons, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1993
&lt;br /&gt;Galerie Pons, Paris.
&lt;br /&gt;FNAC Etoile, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Centre culturel Triangle, Rennes.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1991
&lt;br /&gt;Mus&#233;e Montebello, Trouville.
&lt;br /&gt;Les Rencontres photographiques de Salignac.
&lt;br /&gt;Maison de la culture de Foug&#232;res.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1990
&lt;br /&gt;Galerie Sophia, Brussels.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1989
&lt;br /&gt;Maison de la Culture, Amiens.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1988
&lt;br /&gt;Mois de la Photographie, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1987
&lt;br /&gt;Gallery Ken Damy, Milan.
&lt;br /&gt;Galerie Focus, Amsterdam.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1986
&lt;br /&gt;Mus&#233;e de la photographie, Charleroi.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1985
&lt;br /&gt;Galerie Fr&#233;d&#233;ric Bazille, Montpellier.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Group Shows&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Passeurs d'images, aliceday, Brussels&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Art Brussels, MK Galerie.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Les Imagiques, Bordeaux.
&lt;br /&gt;Art Brussels, Damasquine.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Pingyao Photo Festival.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Mai-photographiques, Quimper.
&lt;br /&gt;Maison de la Mer, Lorient.
&lt;br /&gt;Sense of space, Groningen.
&lt;br /&gt;Ici et d'Ailleurs, Centre culturel Saint Ch&#233;ly d'Apcher.
&lt;br /&gt;Damasquine Gallery, Brussels.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Watt's gallery, New York.
&lt;br /&gt;Photographers'Gallery, London.
&lt;br /&gt;Mois de la photo, Paris Carrousel du Louvre.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Institut fran&#231;ais de Rostock.
&lt;br /&gt;Les Lumi&#232;res de la ville, Biarritz.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Tati 50 ans, Mus&#233;e des Arts d&#233;coratifs, Paris.
&lt;br /&gt;Paris Photo, Carrousel du Louvre, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Rencontres de la photographie, Coimbra.
&lt;br /&gt;Paris Photo, Carrousel du Louvre, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Aperture, New York.
&lt;br /&gt;Les M&#232;res, London.
&lt;br /&gt;Mois de la photo, Galerie Agnes B, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1994
&lt;br /&gt;Galerie Pons, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1993
&lt;br /&gt;Audiovisuel, Arles.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1990
&lt;br /&gt;Centre culturel de Chelle.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1988
&lt;br /&gt;Audiovisuel, Centre national de la photographies, Palais de Tokyo, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1987
&lt;br /&gt;Exposition Fresson, Espace Ste Luce, Arles.
&lt;br /&gt;Mois de la photographie, Li&#232;ge.
&lt;br /&gt;Festival d'Aix en Provence &#171; Les Imagiques &#187;.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1985
&lt;br /&gt;Exposition Jeunes Cr&#233;ations, FNAC Montparnasse, Paris.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1984
&lt;br /&gt;Mention, Galerie Van Gogh, Arles.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Bibliography&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Editions by Dolores Marat&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Illusion, Centre des Arts d'Enghien-les-Bains &#8211; Filigranes Editions.
&lt;br /&gt;2002
&lt;br /&gt;New York USA, Marval editions.
&lt;br /&gt;2001
&lt;br /&gt;Labyrinthe, Le Point du Jour editor and Dewi Lewis Publishing.
&lt;br /&gt;2000
&lt;br /&gt;Boulevard maritime, Carnet de voyage n&#176;9, Le Point du Jour editor.
&lt;br /&gt;1995
&lt;br /&gt;Rives, Marval (French ed.), Dewi Lewis Publishing (English ed.), Brous (German ed.).
&lt;br /&gt;1992
&lt;br /&gt;Passage, In Visu.
&lt;br /&gt;1990
&lt;br /&gt;Eclipse, Contrejour.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Editions with Dolores Marat&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Existence, novel by Eric Reinhart illustrated with D. Marat's photographs, ed. Stock (August 2004).
&lt;br /&gt;2000
&lt;br /&gt;Dormir, Coromandel express.
&lt;br /&gt;Pique nique, Binome edition.
&lt;br /&gt;1999
&lt;br /&gt;Bogue, Michel Raverey edition.
&lt;br /&gt;1997
&lt;br /&gt;Europa, Caimbra.
&lt;br /&gt;1996
&lt;br /&gt;Photographies contemporaines fran&#231;aises, Aperture.
&lt;br /&gt;Littoral, Marval.
&lt;br /&gt;Photos Leurres, Galerie du jour Agn&#232;s B.
&lt;br /&gt;1995
&lt;br /&gt;L'Album, &#233;cole des loisirs.
&lt;br /&gt;100 ans de photo, Atlas edition.&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Rachel Lowther</title>
		<link>http://www.aliceday.be/Rachel-Lowther.html</link>
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		<dc:date>2007-02-07T12:32:56Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>Education &lt;br /&gt;1995-97 MFA Sculpture, Hunter College, CUNY, New York 1994 guest student of Georg Herold, Staedelschule, Frankfurt 1990-93 BA Fine Art (Sculpture), Chelsea College of Art &amp; Design, London 1988-89 Visual Studies, Manchester Polytechnic &lt;br /&gt;Exhibitions &lt;br /&gt;2006 Ridykeulous, Participant Inc, NYC &lt;br /&gt;2005 Rachel Lowther / Cindy Loehr, Atlanta Contemporary Art Center, Atlanta When the time traveler kills their grandmother, Alma Enterprises, London Still Ill, Momenta Art, Brooklyn, NYC 2004 Sleight (...)


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Education&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995-97 MFA Sculpture, Hunter College, CUNY, New York
&lt;br /&gt;1994 guest student of Georg Herold, Staedelschule, Frankfurt
&lt;br /&gt;1990-93 BA Fine Art (Sculpture), Chelsea College of Art &amp; Design, London
&lt;br /&gt;1988-89 Visual Studies, Manchester Polytechnic&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Ridykeulous, Participant Inc, NYC&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Rachel Lowther / Cindy Loehr, Atlanta Contemporary Art Center, Atlanta
&lt;br /&gt;When the time traveler kills their grandmother, Alma Enterprises, London
&lt;br /&gt;Still Ill, Momenta Art, Brooklyn, NYC
&lt;br /&gt;2004
&lt;br /&gt;Sleight of Hand, Lemon Sky Projects, Miami
&lt;br /&gt;Project 1, Alma Enterprises, London
&lt;br /&gt;Hosted, Niewe Vide, Haarlem, Holland
&lt;br /&gt;The Parasite and the Criminal, Soapstone Studios, New York
&lt;br /&gt;Axxxxpresssunism, Vilma Gold Gallery, London
&lt;br /&gt;Axxxxpresssunism, aliceday, Brussels&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Castle Spike,(solo show) Participant Inc, New York
&lt;br /&gt;Puppy Love, Pelham Art Center, New York
&lt;br /&gt;Illegal works on paper, PR 17, Berlin, Germany
&lt;br /&gt;Please don't make me cry, Emily Tsingou Gallery, London
&lt;br /&gt;The MUSIKshow, Gallery Lombardi, Austin, Texas
&lt;br /&gt;Lucky Draw, Sculpture Center, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;We Want Out, Citylights, Melbourne, Australia flyposters in city centre by 16 London based artists,
&lt;br /&gt;FRIEDE, FREIHEIT, FREUDE, Maschenmode, Berlin, Germany
&lt;br /&gt;Postcards from the Edge, Sperone Westwater, New York
&lt;br /&gt;Dirt, Pazifik, Berlin, Germany
&lt;br /&gt;Love Never Hurts, (solo show), Maschenmode, Berlin, Germany
&lt;br /&gt;Majority Rules, Free Gallery, Glasgow, Scotland
&lt;br /&gt;Now More Than Ever, Citylights, Melbourne, Australia
&lt;br /&gt;Skindiving, ART Frankfurt, Frankfurt, Germany
&lt;br /&gt;Artists Space benefit dinner, Alexander Hamilton Custom House, New York
&lt;br /&gt;Bennadiction, Goliath, Brooklyn, New York
&lt;br /&gt;Made in Brooklyn, Brooklyn Rail, New York
&lt;br /&gt;Rachel Lowther and Genesis P.Orridge, Kunstlerhaus Mousonturm, Frankfurt
&lt;br /&gt;Power Ballads, Rupert Goldsworthy Gallery, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Mimic, Gale Gates et al., Brooklyn, NY
&lt;br /&gt;Artpact 2001, The Harlem Flophouse, New York
&lt;br /&gt;Dirty Deeds Done Dirt Cheap, Atlanta Contemporary Art Center
&lt;br /&gt;The Cat's Away, Sara Meltzer Gallery, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Death Race 2000, Thread Waxing Space, NYC
&lt;br /&gt;Kosmobiologie, Bellwether, Brooklyn
&lt;br /&gt;Basel Art Fair, video for Zing magazine, Basel
&lt;br /&gt;Parts, Goliath, Brooklyn, New York
&lt;br /&gt;Face the Black, Sammlung Zipp, Mamo, Berlin and Munich
&lt;br /&gt;From Scratch, FIT space, 529 West 20th St., New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Animal Artifice, The Hudson River Museum, New York
&lt;br /&gt;Rachel Lowther, Banks Violette, Momenta Art, Brooklyn
&lt;br /&gt;Wonderworld, The Sculpture Center, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Transfiguration, Bronwyn Keenan Gallery, New York
&lt;br /&gt;The Art Exchange, rep. by Momenta Art, 2 Broadway, New York
&lt;br /&gt;Drawings, Yearsley Spring Gallery, Philadelphia&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Ana Genoves, Rachel Lowther, Kerry Stewart,The Approach, London
&lt;br /&gt;Nur du/ Only You, group show, Gallery Hallsson, Astoria, New York&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Rachel Lowther, new sculpture, Chamber, West Broadway, New York
&lt;br /&gt;Update, group show, Turbinehallerne, Copenhagen, Denmark&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1994
&lt;br /&gt;By The Way, public art works, Leipziger Strasse, Frankfurt, Germany
&lt;br /&gt;Museum am Olberg, Edelbach, Germany
&lt;br /&gt;No Vacancies (new work from out of town), Frankfurt, Germany
&lt;br /&gt;Retrospective, solo show, L'Etant D'Art pour Locataire, Montpellier, France
&lt;br /&gt;John Kobal Photographic Portrait Award, National Portrait Gallery, London&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1993
&lt;br /&gt;Whitworth Young Contemporaries 1993, Whitworth Art Gallery, M/C, UK&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Flou, Pere Lachaise, Paris
&lt;br /&gt;Sweetrice, Elephant and Castle shopping centre (public art project), London
&lt;br /&gt;Open, (performance/ installation), Kings Road, Chelsea, London
&lt;br /&gt;Interventions, Holland Park, London&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Bibliography / Publications&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Other art fairs hitch a ride on Armory's buzz, Ken Johnson, New York Times, Weekend Arts, March 10, 2006, p.E41
&lt;br /&gt;Cindy Loehr and Rachel Lowther, Lisa Kurzner, Art Papers, Mar/Apr 2006, p 52
&lt;br /&gt;Sorcery, revival and war at hand, Jerry Cullum, Atlanta Journal Constitution, Dec 11, 2005, K10
&lt;br /&gt;Making it happen, Felicia Feaster, Creative Loafing, Nov 24-30, 2005
&lt;br /&gt;The cry of St.Joan, Rachel Lowther short story for Frozen Tears ed. by John Russell, pub. by ARTicle Press, 2004
&lt;br /&gt;The New Dealers, Alex Mar, New York Magazine, 01/12/2003, p.46
&lt;br /&gt;Please Don't Make Me Cry, Sally O'Reilly, Time Out London, 9 &#8211; 16/04/2003
&lt;br /&gt;Please Don't Make Me Cry, Kultureflash, no. 39, April 2003
&lt;br /&gt;Starr shaped, Susan Corrigan, I-D Magazine, issue no 230, 03/2003
&lt;br /&gt;Berlin 2, Andreas Schlaegel, Contemporary, Special Issue June, July August 2002, p 107 &#8211; 109
&lt;br /&gt;The Brooklyn Rail: Selection 1, Holland Cotter, The New York Times, Fri 1/03/2002, WE
&lt;br /&gt;Kopulierende Frauentorsi, Johannes Balle, Frankfurter Allgemeine, 12/02/2002
&lt;br /&gt;Heute zur Kunst im Mousonturm, Frankfurter Rundschau, 06/02/2002
&lt;br /&gt;Mimic, Ana Honigman, Time Out, 10-17/01/2002, p.61
&lt;br /&gt;A &#8216;Dirty' Shame, Catherine Fox, The Atlanta Journal-Constitution, Sept 28/09/2001
&lt;br /&gt;Dirty Deeds Done Dirt Cheap, The New York Times, Sun 9/09/2001
&lt;br /&gt;Artparty's Dark Side, Tray Butler, Creative Loafing, 5 &#8211; 11/09/2001
&lt;br /&gt;Dirty Words, Dirty Deeds Done Dirt Cheap exhibition catalogue, 2001
&lt;br /&gt;New York Cut Up, Massimiliano Gioni, Flash Art, Jan/Feb 2001, p.68
&lt;br /&gt;Distopia and Identity&#8230;, Holland Cotter, The New York Times, Fri 5/01/2001, WE, p.E41
&lt;br /&gt;Death Race 2000, Kim Levin, The Village Voice (Voice Choices), 2/01/2001, p.68
&lt;br /&gt;Death Race 2000, Ken Johnson, The New York Times, Fri 22/12/2000, WE, p.E45
&lt;br /&gt;Death Race 2000 video catalogue, by Rachel Lowther, James Dawson-Hollis &amp; Aline Duriaud (edition 300)
&lt;br /&gt;A giude to must-see exhibitions world-wide, Make, issue 90, 12/2000 &#8211; 02/2001, p16
&lt;br /&gt;Parts, exhibition catalogue, 2000
&lt;br /&gt;Momenta Art Exhibitions 1995 through 1999 catalogue
&lt;br /&gt;A show that shapes perception of animals, D.Dominick Lombardi, The New York Times, 5/12/1999, WE, p.20
&lt;br /&gt;I write my friend; Rachel Lowther: Momenta Art, Aline Duriaud, Zing Magazine, vol.3, autumn 1999, p.258-9
&lt;br /&gt;Pick 3, Samantha Nelson, Waterfront Week, 9.10, 05/1999
&lt;br /&gt;Painting My Religion, The New York Times Magazine, 22/11/1998
&lt;br /&gt;Monsters make love sweetly, Dave Beech, Make, no.77, Sept-Nov 1997, p.28-9
&lt;br /&gt;Ana Genoves/ Rachel Lowther/ Kerry Stewart, Sue Hubbard,Time Out, 2-9/07/1997, p. 50
&lt;br /&gt;Made with Love, Rachel Lowther, Rogue Magazine, 11/1994
&lt;br /&gt;Zuruckhaltende Konkurrenz fur die Zeichenwelt der Geschafte, Christine Peters, Frankfurter Rundschau, 12/10/1994
&lt;br /&gt;Trojanische Pferdchen, Markus Payer, Frankfurter Allgemeine, Wed 28/09/1994, p.46
&lt;br /&gt;Der radikale Angriff auf die Sinne, Michael Hierholzer, Frankfurter Allgemeine, Thur 14/07/1994
&lt;br /&gt;Kein Zimmer frei, Walter E.Baumann, Frankfurter Rundschau, Tues 12/07/1994, p.22
&lt;br /&gt;No Vacancies project, Rogue Magazine, no.24, June 1994, p.33-36
&lt;br /&gt;By the Way (exhibition of contemporary art within the daily life of a street), catalogue, Frankfurt, Germany, 1994
&lt;br /&gt;John Kobal Photographic Portrait Award, catalogue pub. by The National Portrait Gallery, London, 1994&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Jacques Liz&#232;ne</title>
		<link>http://www.aliceday.be/Jacques-Lizene.html</link>
		<guid isPermaLink="true">http://www.aliceday.be/Jacques-Lizene.html</guid>
		<dc:date>2007-02-07T12:28:25Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>born 5/11/1946 lives and works in Li&#232;ge (Belgium) &lt;br /&gt;Solo exhibitions &lt;br /&gt;2005 Le Carr&#233;, chapelle du Gen&#234;teil, Ch&#226;teau-Gonthier &lt;br /&gt;2004 Soir&#233;e projection, &quot;L'art vid&#233;o nul / 1971-2004&quot;, Cin&#233;ma Le Mercury, Nice Jan Lijzeen, new flemish artist (2003), l'autre g&#233;nie d'art sans talent, Richard Foncke Gallery, Gent, Belgique &lt;br /&gt;2003 Le Cabaret Schpountz: une carte blanche &#224; Arnaud Labelle-Rojoux en collaboration avec le FRAC PACA, Friche la Belle de Mai, Marseille Soir&#233;e projection/ rencontre avec l'artiste, (en (...)


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&lt;a href="http://www.aliceday.be/-collaborating-.html" class="spip_out" target="_blank"&gt;collaborating&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;born 5/11/1946
&lt;br /&gt;lives and works in Li&#232;ge (Belgium)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Solo exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Le Carr&#233;, chapelle du Gen&#234;teil, Ch&#226;teau-Gonthier&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Soir&#233;e projection, &quot;L'art vid&#233;o nul / 1971-2004&quot;, Cin&#233;ma Le Mercury, Nice
&lt;br /&gt;Jan Lijzeen, new flemish artist (2003), l'autre g&#233;nie d'art sans talent, Richard Foncke Gallery, Gent, Belgique&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Le Cabaret Schpountz: une carte blanche &#224; Arnaud Labelle-Rojoux en collaboration avec le FRAC PACA, Friche la Belle de Mai, Marseille
&lt;br /&gt;Soir&#233;e projection/ rencontre avec l'artiste, (en collaboration avec 251 Nord et Avcan), Palais de Tokyo, Paris
&lt;br /&gt;Liz&#232;ne-le-presque-nul, Galerie Damasquine, (en collaboration avec 251 Nord et Avcan), Bruxelles
&lt;br /&gt;Galerie Nadja Vilenne, (en collaboration avec 251 Nord et Avcan), Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;Naufrage de regard(s), Mus&#233;e des Beaux-Arts, Brest&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;Galerie Art: Concept, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1990
&lt;br /&gt;Atelier 340, Bruxelles
&lt;br /&gt;Zoo Galerie, Nantes&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1989
&lt;br /&gt;Rapide r&#233;trospective 1964-1980, La Cri&#233;e, Halle d'art contemporain, Rennes&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1988
&lt;br /&gt;Espace 251 Nord, Li&#232;ge
&lt;br /&gt;Jacques Liz&#232;ne: Artiste de la m&#233;diocrit&#233;, Galerie Bilinelli, Bruxelles&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1987
&lt;br /&gt;Galerie Giuliana De Crescenzo, Rome&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1984
&lt;br /&gt;Espace 251 Nord, Li&#232;ge
&lt;br /&gt;Galerie Bilinelli, Bruxelles&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1983
&lt;br /&gt;Galerie L'A, Li&#232;ge
&lt;br /&gt;Je n'ai jamais rien vu d'autre de l'Italie, Librairie Varia, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1982
&lt;br /&gt;Cirque Divers, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1979
&lt;br /&gt;Jacques Liz&#232;ne, peinture analitique, Palais des Beaux-Arts, Bruxelles&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1978
&lt;br /&gt;Cirque Divers, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1974
&lt;br /&gt;Galerie Yellow Now, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1973
&lt;br /&gt;Jacques Liz&#232;ne: Le per&#231;u et le non-per&#231;u, Galerie Yellow Now, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1970
&lt;br /&gt;L'Apiaw, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1969
&lt;br /&gt;Galerie Yellow, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Group shows&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2006
&lt;br /&gt;Hommage &#224; Sade, galerie Marion Meyer, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2005
&lt;br /&gt;Belgique visionnaire, Palais des Beaux Arts de Bruxelles
&lt;br /&gt;Papiers divers et d&#233;riv&#233;s, galerie Nadja Vilenne, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Pr&#234;ts &#224; pr&#233;ter, FRAC Paca, Marseille
&lt;br /&gt;Dear ICC, Muhka, Antwerpen
&lt;br /&gt;Chaque minute l'art &#224; Li&#232;ge change le monde, Quinze regards sur la collection de la Cera Foundation, Mamac, Li&#232;ge
&lt;br /&gt;Les Afriques, Lille 2004
&lt;br /&gt;Amicalement v&#244;tre, Mus&#233;e des Beaux Arts de Tourcoing&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2003
&lt;br /&gt;Coconutour, Centre r&#233;gional d'art contemporain Languedoc-Roussillon, S&#232;te
&lt;br /&gt;Le colloque des chiens, OFF Collection - Biennale di Venezia - Part II, Centre Wallonie-Bruxelles, Paris
&lt;br /&gt;Chaque minute l'art &#224; Li&#232;ge change le monde, Quinze regards sur la collection de la Cera Foundation, Mamac, Li&#232;ge
&lt;br /&gt;Pour de vrai?, Ch&#226;teau de Tours&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2002
&lt;br /&gt;L'humour dans l'art contemporain, Espace Belleville, Paris
&lt;br /&gt;La cuite, Galerie Martagnon, Malauc&#232;ne
&lt;br /&gt;Ivresse, Maison de la Devini&#232;re, Seuilly
&lt;br /&gt;Corps (I et II), Galerie Nadja Vilenne, Li&#232;ge&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;La trahison des images - portraits de sc&#232;nes, Palazzo Franchetti, Venise&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Le fou d&#233;doubl&#233;, exposition itin&#233;rante en Russie, (Nijni-Novgorod, Samara, Ekaterinebourg) et en France (ch&#226;teau d'Oiron), organis&#233;e par Apollonia, cur. : Dimitri Konstantinidis et Jean-Yves Jouannais&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Attention, galerie Art : Concept, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1995
&lt;br /&gt;Autres victoires, Ch&#226;teau de la Louvi&#232;re, Montlu&#231;on&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1994
&lt;br /&gt;Hors limites: L'art et la vie 1952-1994, Centre Georges Pompidou, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1975
&lt;br /&gt;L'id&#233;e de la couleur, Capc Mus&#233;e d'art contemporain, Bordeaux&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Bibliographie&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Jacques Liz&#232;ne ou la contrari&#233;t&#233; intuitive, part III, Bezzan C&#233;cilia, (entretien avec Jacques Liz&#232;ne), in Trouble, n)3, printemps-&#233;t&#233; 2003, pp. 176-187&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Magritte incarne-t-il l'esprit belge? in Ceci est un Suppl&#233;ment, Beaux-Arts hors-s&#233;rie: Ceci est Magritte, n&#176;3, F&#233;vrier 2002, pp. 28-29&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Vid&#233;o: un art contemporain, Parfait Fran&#231;oise, Editions du regard, 2002, p. 284&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;L'image du corps, Ardenne Paul, Editions du Regard, 2001, pp. 176-177&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Qu'est-ce que l'art moderne?, Riout Denys, &#201;ditions Folio-Gallimard, 2001, pp. 324-325&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Jacques Liz&#232;ne, ma&#238;tre es-fiasco, Piguet Philippe, in L'Oeil, n&#176; 531, novembre 2001, p. 70&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Jacques Liz&#232;ne, Lequeux Emmanuelle, in Aden n&#176;184, rubrique les Arts, 21-27 novembre 2001, p. 31&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Formes de vie, Bourriaud Nicolas, Deno&#234;l, 1999, pp. 129-130&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Le ma&#238;tre du Fiasco, Lequeux Emmanuelle, in Aden, rubrique les Arts, 16-22 d&#233;cembre 1998, p. 28&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Interventions, Houellebecq Michel, Flammarion, 1995, pp. 83-84&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Les fastes de l'insucc&#232;s, Jouannais Jean-Yves, in Documents, n&#176;3, juin 1993, pp. 15-20&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Catalogues&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;L'idiotie, Jean-Yves Jouannais, &#233;ditions Beaux arts magazine, ao&#251;t 2003, pages 20, 39, 105, 106, 110, 119, 194 et 221, ISBN 2-84278-431-6&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;L'humour dans l'art contemporain, &#233;dit&#233; &#224; loccasion de l'exposition &#224; l'Espace Belleville, 2001, p. 25&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Le fou d&#233;doubl&#233;, l'idiotie comme strat&#233;gie contemporaine, journal de l'exposition, 2000, pp. 78-79&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Infamie, &#233;ditions Hazan, 1995, pp. 27, 96 &amp; 97&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Hors limites: l'art et la vie 1952-1994, &#201;ditions Centre Georges Pompidou, Paris, 1994, pp; 227-228&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Jacques Liz&#232;ne, &#201;ditions Atelier 340, Bruxelles, 1990, pp. 320&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Publications&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Le Vingt-cinqui&#232;me Bouddha - Conversation avec Jacques Liz&#232;ne, Denis Gielen, pr&#233;face d'Arnaud Labelle-Rojoux, &#201;ditions facteur humain, Bruxelles, 2003&lt;/p&gt;&lt;/div&gt;
		
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	<item>
		<title>Manfred Jade</title>
		<link>http://www.aliceday.be/Manfred-Jade.html</link>
		<guid isPermaLink="true">http://www.aliceday.be/Manfred-Jade.html</guid>
		<dc:date>2007-02-07T12:27:46Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>donuts</dc:creator>

<category domain="http://www.aliceday.be/-collaborating-.html">collaborating</category>


		<description>1961, D&#252;sseldorf / Deutschland lives and works in Brussels and in Rio de Janeiro (Brasil) &lt;br /&gt;Solo Exhibitions &lt;br /&gt;2004 Galerie Kunsthaus Oberkasser, D&#252;sseldorf (D) &lt;br /&gt;2001 art&amp;com, Bruxelles (B) &lt;br /&gt;1999 Arch&#233;type, Bruxelles (B) &lt;br /&gt;1998 Centre d'art contemporain de Kerguehennec (F) &lt;br /&gt;1998 Galerie Michel Rein, Paris (F) &lt;br /&gt;1998 Ecole R&#233;gionale des Beaux-Arts de Valence (F) &lt;br /&gt;1997 Centre national de la photographie, Paris (F) &lt;br /&gt;1997 Les Ateliers Nadar, Marseille (F) &lt;br /&gt;1996 Museum Dhondt-Dhaenens, Deurle (B) &lt;br /&gt;1996 Encore... (...)


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&lt;a href="http://www.aliceday.be/-collaborating-.html" class="spip_out" target="_blank"&gt;collaborating&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;1961, D&#252;sseldorf / Deutschland
&lt;br /&gt;lives and works in Brussels and in Rio de Janeiro (Brasil)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Solo Exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2004
&lt;br /&gt;Galerie Kunsthaus Oberkasser, D&#252;sseldorf (D)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2001
&lt;br /&gt;art&amp;com, Bruxelles (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1999
&lt;br /&gt;Arch&#233;type, Bruxelles (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Centre d'art contemporain de Kerguehennec (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Galerie Michel Rein, Paris (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Ecole R&#233;gionale des Beaux-Arts de Valence (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Centre national de la photographie, Paris (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Les Ateliers Nadar, Marseille (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Museum Dhondt-Dhaenens, Deurle (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Encore... Bruxelles, Bruxelles (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1994
&lt;br /&gt;Galerie Micheline Szwajcer, Anvers (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Group exhibitions&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;2000
&lt;br /&gt;Troisi&#232;me Biennale d'Art Contemporain d'Ottignies - Louvain la Neuve (B)
&lt;br /&gt;Ici et maintenant, Tour &amp; Taxis, Bruxelles, (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1998
&lt;br /&gt;Maison Levanneur, Centre national de l'estampe et de l'art imprim&#233;, Chatou (F)
&lt;br /&gt;Has-Been &amp; Bacon avec Fran&#231;ois Curlet et Bureau augment&#233;, Antwerp (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&#8220;Who Loves Brussels&#8221;, Encore... Bruxelles, Bruxelles (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Passage de l'Art, Marseille (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Densit&#233; ou le mus&#233;e inimaginable, Centre d'art contemporain de Kerguehennec (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1997
&lt;br /&gt;Overgaden, Kopenhagen (DK)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1996
&lt;br /&gt;Kunstverein M&#252;nchen, Munich (D)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Artedomani, punto di visto, Spol&#232;te (I)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Une seconde pens&#233;e du paysage, Centre d'art contemporain de Kerguehennec (F)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1992
&lt;br /&gt;Galerie Micheline Szwajcer, Anvers (B)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;1991
&lt;br /&gt;Sonnabend Gallery, New York (USA)&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Collections&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;The Jewish Museum, New York
&lt;br /&gt;Mus&#233;e de la photographie, Charleroi
&lt;br /&gt;Communaut&#233; fran&#231;aise de Belgique, Bruxelles
&lt;br /&gt;FNAC / Fonds national d'art contemporain, Paris
&lt;br /&gt;Biblioth&#232;que Nationale de France, Paris&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Publications&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Catalogue, small noise, Bruxelles, 1999.
&lt;br /&gt;Catalogue d'exposition collective, Maison Levanneur, Centre national de l'estampe et de l'art imprim&#233;, Chatou (F), 1998.
&lt;br /&gt;Catalogue d'exposition monographique, Centre national de la photographie, Paris, 1997.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;strong class=&quot;spip&quot;&gt;Bourses&lt;/strong&gt;&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;Fondation Albert Gleizes (Paris) : bourse de r&#233;sidence et de travail
&lt;br /&gt;Bourse de la ville de Marseille&lt;/p&gt;&lt;/div&gt;
		
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